Pre-Production Saves Post-Production: A Live Event Lesson

I was covering the Music Vibes party with my friend and colleague Elina who was directing and editing the video for the event. My role was lead camera operator for the night. I prepared a brief shot list that did not have enough details because I thought I could rely on instinct more than preparation. 

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April 15, 2026 /  

My Relationship with Time Management!

When we were told to write a blog about a mistake we had made, I didn’t know what to write about because, over my time here with Mediazone, I had made so many small mistakes here and there and didn’t know which one to cover. But then I realized their common denominator …. time management! So, I’ve decided to tell you guys the mistakes I tend to make and how I’m fixing them.   

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March 18, 2026 /  

How I Almost Failed My First Big Event

Today we’re finally talking about the other side of audio-visual production — the stressful moments, the mistakes, and the lessons learned. So, buckle up, because this one was a ride. I was directing a major event: the 10th anniversary of our beloved Music Vibes. It was huge, high-pressure, and honestly, the biggest project I had ever led. I had a full team to coordinate, and looking back now, I made a few key mistakes. 

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February 18, 2026 /  

We Fought Over the One LED Light — And My Grainy Footage Paid the Price

At Music Vibes 2025 (if you were there, you know, and if not, check out the video we made on YouTube ;)), I was out filming the crowd and following a shot list with my GH5. The event started at night, so from the first track, it was already a lighting challenge. The energy was crazy, lights flashing, people moving, everything looking incredible to the naked eye; but the camera didn’t quite agree. 

 

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January 14, 2026 /  

GH5S vs. Your Eyes: Can You Match What You See in Camera

Have you ever been fascinated by how the human eye perceives the world? I was, and I wanted to capture that same natural perspective through a lens. One afternoon, while observing the new Bean Bar on campus, something caught my eye: the warm ambient light, fun doodles on the wall, and a neon sign that popped right out. It had this laid-back, cozy energy I wanted to preserve exactly as I saw it.

The human eye, with a focal length typically around 22mm, is often compared to a 50mm lens on a full-frame camera. So, to recreate that experience, I chose the Panasonic GH5S, which features a Micro Four Thirds sensor, and used the kit lens (12-60mm) but zoomed in to the 25mm mark.

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May 14, 2025 /  

MAKING NICOSIA LOOK LIKE A SCIFI CITY WITH EDITING

When I first heard about this project, my mind immediately went to cyberpunk. I imagined neon-lit streets, futuristic vibes, and a city that felt straight out of a sci-fi movie. My first instinct was to capture Nicosia at night, where the tall, modern buildings could help bring that aesthetic to life. At the same time, I knew that shooting in LOG, a flat, low-contrast video format, would preserves more detail, giving more room to play with colors in post-production. Continue reading →

May 7, 2025 /  

How to get a Cinematic Look with just a Tripod

When people hear the term “cinematic shot,” they often picture smooth slider or dolly movements. However, for me, it is quite the opposite. I find beauty in static tripod shots. They allow you to truly capture a moment, creating a calm atmosphere that encourages viewers to relax and observe what unfolds on screen. That’s why I was excited to write this blog, I knew I would enjoy sharing my approach to achieving a cinematic look with minimal equipment.

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April 25, 2025 /